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 Location:  Home » Music Instruments » All Works by Marais » Baroque FavoritesSeptember 8, 2008  


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Baroque Favorites
Baroque Favorites
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Artists: Jacques Loussier Trio, Marin Marais, Alessandro Marcello, Johann Pachelbel, Domenico Scarlatti, Tomaso Albinoni
Label: Telarc
Category: Music

List Price: $18.98
Buy New: $12.49
You Save: $6.49 (34%)
Buy New/Used from $10.99

Avg. Customer Rating: 4.0 out of 5 stars(5 reviews)
Sales Rank: 54414

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

MPN: 83516
UPC: 089408351624
EAN: 0089408351624
ASIN: B00005Q5LU

Release Date: October 23, 2001
Availability: Usually ships in 1-2 business days

Tracks:

  • Sarabande And Variations From Suite No.11: Variation No.1
  • Sarabande And Variations From Suite No.11: Variation No.2
  • Sarabande And Variations From Suite No.11: Variation No.3
  • Sarabande And Variations From Suite No.11: Variation No.4
  • La Sonnerie De Sainte-Genevieve Du Mont
  • Sonata No.33 In B Minor
  • Sonata No.32 In F Sharp Minor
  • Largo (From Xerxes)
  • Canon In D Major
  • Concerto In D Minor For Oboe: I. Andante Spiccato
  • Concerto In D Minor For Oboe: II. Adagio
  • Concerto In D Minor For Oboe: III. Presto
  • Adagio
  • Concerto In F Major For Organ: I. Larghetto
  • Concerto In F Major For Organ: II. Allegro
  • Concerto In F Major For Organ: III. Andante
  • Concerto In F Major For Organ: IV. Larghetto
  • Concerto In F Major For Organ: V. Allegro

Editorial Reviews:

Amazon.com
The Jacques Loussier Trio has recorded numerous albums applying European jazz sensibilities to classical material, following and refining the path laid down by Dave Brubeck in his crossover material of the '50s. Combining a feathery piano touch with a swinging rhythm section, Loussier reveals the affinity between the two worlds. Loussier reworks pieces by Scarlatti, Marcello, Albinoni, and three by Handel (including the lengthy Concerto in F Major for Organ) effectively, more concerned with subtly outlining harmonic contours than exhibiting the ornamentation usually associated with baroque music. This approach produces tasteful and elegant French jazz, ideal for the cozy pub or the luxury-liner lounge. Additionally, the trio deserves a warm round of applause for rendering Pachabel's over-worked Canon in D Major in a fresh manner. --Wally Shoup


Customer Reviews:

3 out of 5 stars Crossover compromise   January 4, 2007
  0 out of 4 found this review helpful

When I first heard individual cuts from this CD I was intriqued by the synthesis of jazz and classical styles. I was also pursuaded initially by the reviews from Loussier's fans who contextualized this album as a gem within his larger body of work. Unfortunately, upon hearing the cuts all the way through, I found it to be another classic crossover compromise. Loussier is neither a good jazz pianist nor a respectable classical pianist. Combining the genres does not make him any better.


5 out of 5 stars Baroque Favourites is a fantastic CD!   July 17, 2003
  2 out of 2 found this review helpful

Jacques Loussier has evolved only faintly in the more than 40 years he has Played Bach. This version displays a mellow style only vaguely aged. The trio's current bass player, Benoit Dunoyer De Segonzac, has a particularly tantalizing way of interpreting the Baroques. In this effort Loussier has successfully recreated the pop Pachelbel Cannon in D into another hit. I particularly like the Handel tracks at open, midway and close. (and would too purchase Loussier's Water Music & Royal Fireworks CD). And this would have to be the coolest version of Albinoni's also popular Adagio. As expected, Telarc's crew of sound engineers and hifi techno gurus have created a flawless recoding. Buy it! You won't be disappointed.


4 out of 5 stars Make It 4 1/2 Stars   August 23, 2002
  8 out of 8 found this review helpful

Wally Shoup has pretty much nailed it in his review. I just want to add that it is remarkable how consistent Loussier has remained over a span of more than four decades.

Last night I played "Baroque Favorites" back-to-back with a reissue LP of his 1959 debut. I was struck by the similarity of sound and style between the two. I don't know if it's intentional, but with the latest bass player Loussier has nearly recreated the sound of the original trio. At the same time, the playing is more refined and subtle. "Play Bach" was very much a hit in 1959, but "Baroque Favorites" shows the concept is still fresh and that it is possible to grow without abandoning old ideas.

At first, like reviewer Dan Cohen, I thought that Loussier's treatment of other composers wasn't as strong as his Bach work. I've changed my mind, however. There's a smoother integration of Jazz and Baroque here than in "The Bach Book." The music has fewer non-Baroque parts grafted onto it, and the bass and drum solos are shorter and fit better. I also like the selection of pieces and their sequence, and I agree with Shoup about the Pachelbel Canon in D Major. I had hesitated to buy "Favorites" because of the inclusion of this Top 40 chestnut, but fortunately Loussier gives it a fresh spin.


5 out of 5 stars Great jazz--great music   May 28, 2002
  4 out of 4 found this review helpful

It had been a long time since I heard Jacques Loussier. Most of it devoted to the baroque music he so beautifully paraphrases in this album. Although his Bach is great, the disscovery of his Haendel is one of the great plusses of this opus. The French baroque musicians almost forgotten today, whose work I discovered recently, sound great when played as jazz.
A trully enjoyable musical experience to anyone who likes jazz and wants to hear more baroque music.



4 out of 5 stars Not his best - but worthwhile   November 23, 2001
  7 out of 7 found this review helpful

Loussier is at his best when he plays Bach. His rendition of Vivaldi's Four seasons is also excellent, and he is quite efficient in handling his Baroque favorites on this CD, but something is missing.
Loussier made his career on Bach because (and he said so himself) Bach makes the most Jazz-effective classical compositions. Perhaps these baroque compositions didn't go through Loussier's jazz-converter as well or as brilliantly as those others. Perhaps Loussier just coughed this CD without too much effort.
In any case - I bought it, and I am quite pleased I did (and this is the best bottom line possible...)



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