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| Mozart: Flute Concertos; Concerto for Flute & Harp | 
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| Creators: Wolfgang Amadeus Mozart, Neville Marriner, James Galway, Marisa Robles, Academy Of St. Martin-in-the-fields Label: RCA Category: Music
List Price: $10.98 Buy New: $7.20 You Save: $3.78 (34%)
Buy New/Used from $5.76
Avg. Customer Rating:   (4 reviews) Sales Rank: 15944
Format: Original Recording Remastered Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
MPN: 59409 UPC: 828765940924 EAN: 0828765940924 ASIN: B0001TSWJ6
Release Date: April 20, 2004 Availability: Usually ships in 1-2 business days
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| Customer Reviews:
  Beautiful Album! April 8, 2008 0 out of 1 found this review helpful
This is a wonderful addition to my classical collection, and recommend it to anyone who enjoys flute or harp. Can't imagine anyone being disappointed with this one.
  super November 19, 2007 1 out of 3 found this review helpful
Mozart's concerto for flute & harp is a music I always enjoy listening to. I used to have LP recording 30 years ago. Now I have it in CD. The music is well played by Academy of St. Martin in the Fields.
  Great Music by a Great Composer January 8, 2007 2 out of 6 found this review helpful
I have played this CD about 7 or 8 times since I got it and every time I listen, it gets better. This is great music for relaxing, working out to, doing some work around the house or even to play it at low volume while taking a nice afternoon nap. I highly recommend this CD for those with ears for classical music and I even recommend it for anyone who's just starting out into the realm of classicals.
  Great Galway July 6, 2005 14 out of 16 found this review helpful
To my knowledge Galway has recorded these pieces twice; once here with Marriner/ASMIF an once with the LSO. This Marriner performance outdoes the LSO performance by a hair because Marriner put a light under the orchestra's fanny and made the ASMIF call and respond to Galway with spine-tingling logic. Here we hear the fantastic flute concertos transformed from the usual haughty flutters disjointed from the orchestra to complete drama with no unecessary parts. I recommend this CD without reservation, though you should check out Rampal's version (Mehta), Tripp's version (Bohm), and Aurele Nicolet's version (Zinman) as well - not to mention the LSO Galway version, which takes fine advantage of the orchestra's dark-silk sonority.
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