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| Schumann: Piano Quartet in E flat/Piano Quintet in E flat | 
 enlarge | Creators: Bernard Greenhouse, Robert Schumann, Beaux Arts Trio, Menahem Pressler, Samuel Rhodes [viola], Dolf Bettelheim, Isidore Cohen
Label: Polygram Records
Category: Music
Buy New: $89.04
Buy New/Used from $24.75
Avg. Customer Rating:  (1 reviews)
Sales Rank: 201828
Media: Audio CD
Discs: 1
UPC: 028942079120
EAN: 0028942079120
ASIN: B0000040Z6
Release Date: October 25, 1990
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Pno Qt in E-flat, Op.47: Sostenuto assai-Allegro ma non troppo - Beaux Arts Trio/Samuel Rhodes | | • | Pno Qt in E-flat, Op.47: Scherzo (Molto vivace) - Beaux Arts Trio/Samuel Rhodes | | • | Pno Qt in E-flat, Op.47: Andante cantabile - Beaux Arts Trio/Samuel Rhodes | | • | Pno Qt in E-flat, Op.47: Finale (Vivace) - Beaux Arts Trio/Samuel Rhodes | | • | Pno Qnt in E-flat, OP.44: Allegro brillante - Beaux Arts Trio/Samuel Rhodes/Dolf Bettelheim | | • | Pno Qnt in E-flat, OP.44: In modo d'una marcia (Un poco largamente) - Beaux Arts Trio/Samuel Rhodes/Dolf Bettelheim | | • | Pno Qnt in E-flat, OP.44: Scherzo (Molto vivace) - Beaux Arts Trio/Samuel Rhodes/Dolf Bettelheim | | • | Pno Qnt in E-flat, OP.44: Allegro, ma non troppo - Beaux Arts Trio/Samuel Rhodes/Dolf Bettelheim |
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| Customer Reviews:
Great cd of Schumann's chamber music August 5, 2007
4 out of 4 found this review helpful
It was with the encouragement of his friend Felix Mendelssohn that Schumann turned his creative attention to chamber music. Until the end of 1840 his entire output, though altogether splendid in quality, had comprised only miniatures. These piano pieces and songs were profound and moving,but of course there was little development on the larger scale. During 1841 this mould was broken with the creation of several orchestral works, while the following year he wrote a substantial quantity of chamber music, a reflection of his preference for concentrating on particular types of composition at different periods of his life. The Piano Quintet and Piano Quartet are both products of this chamber music year in 1842. Of the Quintet Schumann said: `The music seemed to please players and listeners alike.' It is not hard to understand why. For example, the first movement is a magnificent example of the surging romanticism of which Schumann was a master. The players of the Schubert Ensemble capture this feeling through their excellent playing, and there great intensity. Throughout the piece they achieve a highly effective balance between lyrical flow and rhythmic tempo. In the second movement, entitled In modo d una marcia, the funereal tread of the accompanying rhythm has a very atmospheric quality about it. Into this context the consoling second theme is sensitively played, and this in turn enhances the effect made by contrast made by the wild and furious section within what is otherwise a serene movement. In the Scherzo the players skilfully point up Schumann's contrasted accents, while the two contrasting trios are effectively characterised. On the other hand the finale has a real sense of momentum. The Piano Quartet also benefits from the clear and sympathetic reading the musicians give. Like the Quintet, this work has an intensity of feeling that brings out Schumann's creative personality to the fullest. These features are encouraged by the good judgment of tempo and phrasing of the Schubert Ensemble. The second movement, a fast Scherzo, is a great challenge to the players ability to keep together and create an incisive rhythmic activity, and the challenge is met successfully. The slow movement has a beautiful flowing line, whereas the finale is taken at the sprightly Vivace tempo Schumann demands. The Schubert Ensemble is that rarity, a chamber music grouping of strings and piano who play regularly together, rather than just occasionally. And it shows.
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