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| Master and Commander: The Far Side of the World | 
 enlarge | Artists: Christopher Gordon, Richard Tognetti
Creators: Iva Davies, Paul Bettany, James D'arcy, Edward Woodall, Chris Larkin, Max Pirkis, Jack Randall (ii), Max Benitz, Lee Ingleby, Richard Pates, Robert Pugh, Richard Mccabe, Ian Mercer, Tony Dolan, David Threlfall, Billy Boyd, Bryan Dick, Joseph Morgan, George Innes, William Mannering
Label: Decca
Category: Music
List Price: $18.98
Buy New: $9.85
You Save: $9.13 (48%)
Buy New/Used from $7.00
Sales Rank: 3151
Format: Soundtrack
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 000157402
UPC: 028947539827
EAN: 0028947539827
ASIN: B0000DG07D
Release Date: November 11, 2003
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | The Far Side Of The World | | • | Into The Fog | | • | Violin Concerto No. 3 'Straussburg' K.215, 3rd Movement | | • | The Cuckold Came Out Of The Amery (Traditional) 5. Smoke N' Oakum | | • | Fantasia On A Theme - Barry Wordsworth 7. Adagio From Concerto Grosso Op. 6. No. 8 In G Minor Christmas Concerto - Arcangelo Corelli Listen Listen Listen | | • | The Doldrums | | • | Prelude (From The Unaccompanied Cello Suite No. 1 In G Major, BWV 1007 - Yo-Yo Ma | | • | The Galapagos Listen Listen Listen | | • | Folk Medley: O'Sullivan's March/Cuckold Came Out Of The Amery/Mother Hen/Mary Scott/Nancy Dawson - Jim Walker | | • | The Phasmid | | • | The Battle | | • | Boccherini La Musica Notturna Delle Strade Di Madrid No. 6, Op. 30 | | • | Full Circle |
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| Editorial Reviews:
Product Description
A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on "The Ghost of Time," a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves "Old World" and "New World" music, reflecting the talents and backgrounds of its composers. Iva Davies hails from both pop and classical traditions; Richard Tognetti, one of the world's great violin virtuosos, taught Russell Crowe the ins and outs of the instrument; and film/television composer Christopher Gordon brought orchestral texture to the project. Given the period, it comes as no surprise that the score is infused with source music from Bach (Cello Suite) and Mozart, among other great classical composers. Percussion dominates portions of the score. "Drums signal the forward movement of the ship," says Davies, "that it's on a mission. It brings you back into the action." The score's biggest surprise comes with its use of synthesizers. "Peter doesn't make films in the expected way," says Davies, "and for that reason we wanted the score to be not what everyone expected. Peter wanted some scenes to have what I call a kind of 'futuristic' sense"--conveying the idea that these 19th century sailors were cutting-edge explorers.
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