NodopianoCamicie.com - Instruments, Music, Piano and more.

 Search
 Advanced SearchView Cart   Checkout   
 Location:  Home » Music Instruments » Quartets » Osvaldo Golijov: OceanaMay 16, 2008  


Categories
Music Instruments
Music Stand
Folk & World Instruments
Instrumental
Piano
Guitars & Basses
Drums
Keyboards
Band & Orchestra
Instrument Accessories
Osvaldo Golijov: Oceana
Osvaldo Golijov: Oceana
enlarge
Creators: Osvaldo Golijov, Robert Spano, Atlanta Symphony Orchestra And Chorus, Jay Anderson, John Dearman, Scott Tennant, Elizabeth Remy Johnson, Jamey Haddad, Dawn Upshaw, Luciana Souza
Label: Deutsche Grammophon
Category: Music

List Price: $16.98
Buy New: $7.28
You Save: $9.70 (57%)
Buy New/Used from $7.28

Avg. Customer Rating: 4.5 out of 5 stars(12 reviews)
Sales Rank: 3613

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

MPN: 000906902
UPC: 028947764267
EAN: 0028947764267
ASIN: B000PDZQS8

Release Date: July 10, 2007
Availability: Usually ships in 1-2 business days

Customer Reviews:
Showing reviews 6-10 of 12
 « PREV  
1 2 3
  NEXT »

5 out of 5 stars THE MUSIC OF THE SPHERES   September 17, 2007
  3 out of 4 found this review helpful

WHAT CAN ONE SAY ABOUT GOLIJOV'S MUSIC? FROM AIDANAMAR TO THE PASSION ACCORDING TO SAINT MATTHEW, IT IS VIOLENT, SUBLIME, BUT ABOVE ALL, EXTATIC. NAMES LIKE ROBERT MORAN, STEVE REICH, JOHN ADAMS AND MY BELOVED PHILLIP GLASS COME TO MIND. BUT GOLIJOV STRIKES A DEEPER CHORD, ACTING AS A SORT OF HERMES, A GUIDE TO OTHER WORLDS.
I AM A POET. I GET LOST IN HIS MUSIC AND RETURN WITH THE WORDS I NEED.



3 out of 5 stars The songs are the high point; the main event is trendy to a fault   September 14, 2007
  12 out of 17 found this review helpful

Golijov is in danger of being priased for music that strikes me as glib and slick. The main work here, "Ocieana,' begins with a blatant appeal of pop taste: strumming guitars against a taped background of waves softly lapping the shore. I can't consider this a serious effort. The subsequent chorale parts hark back to Golijo's breakthrough work, the St. Mark Passion, with various Latin rhythms and lots of shouting in the manner of uncultivated folk singing. It's an idiom that he has taken to the bank a few times too often. If you listen past the sound effects and the atmospheric jazz singing by soloist Luciana Souza (which is set to run-of-the-mill Brazilian riffs), it's hard to hear what the shouting is about except for the desperation among classical record companies to manufacture a crossover hit.

Matters improve musically in the second half of the program. Golojov's strength lies in somber moodmaking and plaintive vocal lines based on klezmer, Sephardic, and NOrth African sources. We get the mournful part in Tenebrae, a two-movement elegy for string quartet. It's quite conservative compared with similar efforts from Ligeti, Lutoslawski, and others, but the arching melodic ines feel sincere and bring moving results.

I was waiting, however, for the three songs that end the CD, having heard a smapling here in Santa Fe two summers ago. Dawn UPshaw has proved to be Golijov's greatest champion, and here again she captures his mournful tone beautifully. All three songs are on the high level of Upshaw's last Golijov release, Ayre. The powerful symphonic music that accompanies the songs is conducted with commitment by Robert Spano. As stand-alones, these songs fully deserve five stars, and yet I wonder how such a capable composer can be satisfied with semi-junk like Oceana.



4 out of 5 stars The Usual Suspects   August 28, 2007
  5 out of 5 found this review helpful

This is a very enjoyable disc. While I find "Oceana" a bit overworked, the performances of "Tenebrae" and especially "Three Songs" are quite good. The Kronos Quartet once again demonstrate unrivaled control and expressiveness on their instruments. Dawn Upshaw is still at her best here. Her voice is a treasure, and the "Three Songs" show off the beauty, lyricism, and uniqueness that makes her voice stand above the rest.


4 out of 5 stars a great CD   August 28, 2007
  5 out of 6 found this review helpful

This is a great work by Golijov. the passion is there and the orchestration is unpredictable. It is both majestic and at the same time intimate. the vocalist in the oceana CD is good. it would have been wonderful if she played margarita is golijov's ainadamar. she was not overwhelmed by golijov's orchestration. however, for oceana, this is not really something new. for more passionate and interesting listening, try ainadamar or st. mark's passion (both by golijov).

the interesting works actually here are the intimate quartets. \\



5 out of 5 stars By Ayre and by water   August 26, 2007
  5 out of 5 found this review helpful

I was just getting over Golijov's last release, "Ayre", when I discovered this offering on Amazon. I don't know much about music technically, so this review may seem non-musical. I was struck by the contrasts in...temperature between "Ayre" and "Oceana". Ayre has "hot" and "close" qualities, evoking kinetic exchanges between people and cultures in a part of the world where Spain and Africa meet, and where Christianity, Islam, and Judaism converge and coexist. Oceana's atmosphere is big and cool. There is a sense of great space, but also a sense of deep intimacy. Golijov gives substance to the world that Pablo Neruda creates in words for himself and for his love. The arrangements flow easily between a small guitar/percussion ensemble flanking Luciana Souza's dusky voice and big, swirling passages for orchestra and chorus. This music is meant to wake up the soul. Mine is having breakfast. "Tenebrae", for string quartet, is almost jarringly gentle and stately at times, in contrast to the preceding piece. I would recommend listening to the piece on its own. "Three Songs" brings back Dawn Upshaw. You'd think she wouldn't have anything left after Ayre, but she has plenty. Golijov's music has coaxed sounds and emotions from this soprano that sometimes deceive me into thinking that she is a completely different entity. Again, this piece is very different from the preceding two and should be appreciated on its own. Listen to it in the car when you're driving into a drab, depressing underground parking structure. Trust me.


Powered by Associate-O-Matic